I was already interested in illustration books and comics in childhood, captivated by their ability to tell stories through a combination of graphics and text. Three years ago, my passion was reignited when I stumbled upon a comics competition, which reminded me of a long-held dream: creating comics. Later on, I discovered the Ministry of Culture’s artist residency program and decided to apply. Luckily, I was admitted.

During my residency at La Cité internationale de la Bande Dessinée et de l'image in Angoulême, France, I had the privilege of joining the Taiwan Pavilion of the Angoulême International Comics Festival. Aside from appreciating the manuscripts of The Attack on Titan and Junji Ito’s works, I served as an artist representing Taiwan, making comics with fellow artists on site. Our creative process was broadcasted live on the Internet, and the works that we brought to the venue sold out during the signing and illustration sessions. It was truly a valuable experience.

Near the end of the residency, I released Achoo inspired by the COVID-19 pandemic. The “fairy wand” is a kind of firework in Taiwan. In this comic piece, passengers fled away from a “magic wand” train in fear of the virus, as if the burst of a firework. Meanwhile, someone watches on with joy.

Being a comics artist, I often entail long hours at the desk, which can constrain creativity and technique. It is therefore immensely helpful to transfer to a new environment and explore a different culture through artist residency. During my visits to local museums, I noticed that many people would bring their own pamphlets and stools to sketche in corners or even sit casually on the floor. I was impressed that art and culture are an integral part of life for French people, and I felt blessed for them. I hope to see this happen in Taiwan someday.

Author: Ke Kai Sheng
Edited: Brix