Artists

Photo Credit: NIU Chun-Chiang

I Chen Lai

T-shirt printed with Ministry of Culture Logo
he studio as a stage
The showcase recording at Street Metro Center
The showcase recording at Union Station 1
The showcase recording at Union Station 2
The showcase recording at 18 Street Arts Center
Daily log on Facebook during residency
The combination of cotton rope
Nomadic exhibition
Ersilian gathering 1
Ersilian gathering 2

I Chen Lai

Location USA / Los Angeles
Residency 18th Street Arts Center
Year of the Grant 2017
Artist I Chen Lai, born in 1985 in Taiwan, Lai obtained her BSc from Landscape Architecture and Horticulture, National Taiwan University, and MFA from Art, Space, and Nature at Edinburgh College of Art. She is now based in Weimar, Germany.


Artist Statement:

The Los Angeles metropolitan, where I was an artist-in-residence for three months, challenged my idea of a city. It also made me rethink the meaning of arts in public spaces and redefine the relationships between me and the city and its residence.

During the residency, I reflected on being an artist-in-residence through my works. I wore a T-Shirt that says “funded by the Ministry of Culture” during the residency to explore my identity as an artist funded by public money. My studio was a renovated garage, so I opened the garage door every day. Doing so, I attempted to turn my studio into a theater to stage my everyday life made possible because of public money.

Attempting to describe the relationship between me and the city, I took videos of the window reflections every time I travel with the metro through Los Angeles. Later, I show the videos in L.A.’s two busiest metro stations and 18th Street Arts Center by projecting them on my palm.
To reflect and capture my relationships with people I met during the 90-day-residency, I recorded every personal interaction and published it on social media every day. The people I encountered every day during the residency are also represented as strings which I stitched onto the coat “The folds of memory” made by designer He Shih Yun. In the end, the coat is transformed into a house of Ersilia -- a city described in Calvino’s novel “Invisible Cities,” the accumulated strings also formed a surface allowing projections. The video “circle of relationships,” a work I made together with L.A. artist Sean Berrie, is our attempt to describe the relationships and conditions of a nomadic artist. Combining the works mentioned above: the social media entries, the coat full of strings, and the video, they become an installation capable of traveling and adopting into different spaces, just like the nomadic artists-in-residency.

L.A. has forced me to reflect on my limited imagination of how a city looks like. Through the conversation with other artists, I also learned the meaning of cultural exchange and the positive aspect of the multicultural environment.

Further reading:The Blurry Line of Public and Private in the Life of I-Chen Lai
https://www.kcet.org/shows/artbound/the-blurry-line-of-public-and-private-in-the-life-of-i-chen-lai