Yao-Ching Tseng
Yao-Ching Tseng
Location | Spain / Madrid |
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Residency | Hablar en Arte |
Year of the Grant | 2022 |
Artist Statement:
The hablarenarte art village is based in Madrid. During the residency, I resided in Planta Alta at downtown Madrid, very convenient in transportation and daily needs. Besides bathroom, kitchen, three rooms for artists, there are work, meeting, and event spaces shared by resident artists and staff. Although there is a computer and printer, they are mainly used by staff for paperwork.
If comics artists are used to create with computers, they should bring their own devices. If artists are in the habit of manual work, public working spaces have more sufficient spaces and light. To scan files, you will need to rely on professional stores.
Staff in the art village have considerably good English proficiency. When I needed to discuss more complicated or challenging ideas in our work exchanges, even if I didn’t speak Spanish, discussions could proceed with assistances by staff.
The objective for my residency was the pro-production research for Nightmare Garden. Mamen Adeva as the main figure at Planta Alta to assist. She was friendly and actively offered help in life and at work. She went with me to visit various places and communicated between English and Spanish. She helped me reach more people, places, and experiences than expected. It was a great help to expand my research.
At the early research stage of comics works, creators may have certain directions, and keep open spaces for growth. If the research direction is related to Spanish cultures and communities, it will be rewarding to participate in this residency. The art village is connected to local artistic communities and surrounded by museums and other resources.
Besides comics, this residency is also suitable for creators in literature, performing arts, and curatorial practices. It is important to take advantage of connections across many fields in the art village to extend possibilities in creative works.
Author: Yao-Ching Tseng
Edited: Brix